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Modelling music with grammars: formal language representation in the Bol Processor
In: Computer Representations and Models in Music ; https://halshs.archives-ouvertes.fr/halshs-00004506 ; Computer Representations and Models in Music, Academic Press, pp.207-238, 1992 (1992)
Abstract: Improvisation in North Indian tabla drumming is similar to speech insofar as it is bound to an underlying system of rules determining correct sequences. The parallel is further reinforced by the fact that tabla music may be represented with an oral notation system used for its transmission and, occasionally, performance. Yet the rules are implicit and available only through the musicians' ability to play correct sequences and recognise incorrect ones. A linguistic model of tabla improvisation and evaluation derived from pattern languages and formal grammars has been implemented in the Bol Processor, a software system used in interactive fieldwork with expert musicians. The paper demonstrates the ability of the model to handle complex structures by taking real examples from the repertoire. It also questions the relevance of attempting to model irregularities encountered in actual performance.
Keyword: [INFO.INFO-CL]Computer Science [cs]/Computation and Language [cs.CL]; [INFO.INFO-SC]Computer Science [cs]/Symbolic Computation [cs.SC]; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; drumming; ethnomusicology; Formal grammars; membership test; patterns; rhythm; tabla
URL: https://halshs.archives-ouvertes.fr/halshs-00004506/document
https://halshs.archives-ouvertes.fr/halshs-00004506/file/modelling.pdf
https://halshs.archives-ouvertes.fr/halshs-00004506
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2
The identification and modelling of a percussion 'language', and the emergence of musical concepts in a machine-learning experimental set-up
In: ISSN: 0010-4817 ; EISSN: 1572-8412 ; Computers and the Humanities ; https://halshs.archives-ouvertes.fr/halshs-00004505 ; Computers and the Humanities, Springer Verlag, 1989, 23 (3), pp.119-214 (1989)
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3
The identification and modelling of a percussion language, and the emergence of musical concepts in a machine-learning experimental set-up
In: Computers and the humanities. - Dordrecht [u.a.] : Kluwer 23 (1989) 3, 199-214
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